Tuulikki

While many Finnish wheels found in North America, including those in the two previous posts, likely were made in the 1900s, occasionally some older ones come along. 

This curvaceous green beauty, which I found in Pennsylvania, was probably made in the mid- to late-1800s. 

There does not seem to be any dispute that this style wheel, with its distinctive treadle design and abundant curves, is Finnish, but its specific origin remains unclear. 

One advertisement, with a wheel marked 1855, indicated that the wheel was from the southeast coast of Finland, but I have not been able to confirm that. 

Minneapolis Craigslist wheel, painted 1855 on table

Although several of these wheels have been posted on the Finnish Rukkitaivas Facebook group, so far, as far as I know, no one has identified a maker or region where they were made. 

As with many other Finnish wheels, these wheels have double arched uprights and treadles set into the treadle bar, rather than pivoting from the legs. 

On mine, there are metal pins attaching the uprights to the arch, on the spinner-side only. 

The drive wheels have from 16 to 20 delicate-looking spokes, giving them an almost spider-web look. 

What makes these wheels stand out most, however, is the overall curvaceousness. 

From the bulbous mother-of-all and legs

to the swooping treadle triangle embellished with curls,

there is not a straight line to be seen. 

Even the tension knob looks pregnant. 

The treadle itself is an unusual exaggerated shape,

with chamfered edges underneath. 

The sculptured treadle pad is set into a base with mortise and tenon joints.

That base, which has the treadle pins, is then set into the spinner-side treadle bar, which extends between the legs.

The recess for the tension-end treadle pin is supposed to have a small wooden piece and wooden pin, covering the treadle pin, which on my wheel is missing. 

Curved bars run between all of the legs, with the feet set into the corners. 

While most of the dozen or so photos I have seen of this style wheel closely resemble Tuulikki, there are some variations. The 20-spoke wheels seem to be a little larger than those with 16 spokes and have metal wires running from the table to the wheel uprights, similar to those on Impi, in the previous post. 

Most are painted, including the underside.  Some have painted dates or initials, and some are slightly more embellished.  I suspect they were all made by the same wheel maker, or perhaps a family of wheel makers, but, on the other hand, this could have been a regional style used by several wheel makers. 

As with most wheels from the mid-1800s, Tuulikki has seen a lot of use.  The wear on the treadle is interesting.  The treadle bar is very worn down, with two concave areas (more pronounced on the right side). 

Where the treadle meets the bar, there is little wear, with wear showing again on the treadle before the swoop.  It could be that the treadle is a replacement, but I have seen other wheels with a similar wear pattern.  Interestingly, this Finnish treadle design creates a pivot of two pieces of wood that tends to pinch the foot when spinning barefoot. Which leads me to wonder if it was unusual to spin barefoot in Finland. On this wheel, the wear pattern could be explained by a spinner wearing shoes or boots with small heels neatly resting on the treadle bar, with an instep high enough to span the pinch-zone–an area with no wear–and then wear again where the ball of the foot rested on the treadle.  

In any case, there is no question that this wheel was heavily used.  There was one large shim on an upright when I bought it. 

Closer inspection showed that every upright was heavily shimmed in the past–all broken off through time.

I have placed two clarinet reed shims of my own. 

There is paper shimming under the collar and multiple pegs in the maidens,

all designed to keep the wheel tight and in working order. 

The flyer is beautiful, but was in rough shape when I got it, missing an arm and a good part of the bobbin.

It has some fluting on the orifice and wear marks on the mandrel. After an expert repair, it is back to work.

The axle bearings are thin metal, a bit crumbled,

with unpainted wooden keeper screws for the axle, providing the paint/no paint contrast that I love on so many Scandinavian wheels. 

The top of the footman matches the keeper screws–a beautiful feature.  

So much thought went into this wheel that I found it strange that the leg by the footman had its ample curve sheared off to make room for the footman. Again, this may be a sign that the treadle is a replacement, and slightly bigger than the original (it does look larger than the treadle on the Minneapolis wheel shown earlier). 

The axle was loose in the hub when I bought it, but, with expert direction, I was able to do a shim repair myself. Not something I want to mess with very often.  

The distaff shaft extends way below with table.

Tuulikki came without the top part of the distaff, so I bought a truncheon style one that is a good match. 

I was surprised to find that the top of the distaff unscrews

and the outer portion can be removed from the core. 

I do not know if that helps for dressing the distaff or if there is some other reason for this feature. If any one knows, please let me know.

This wheel was created with a real eye toward beauty. But she is a great spinner, too, and has been maintained, with various fixes, as a working machine. I am privileged to be part of the chain of people who have worked on and spun with this special wheel.

Kikkan

The most well-known and recognizable Finnish spinning wheels are the painted Kiikkalainens.  They are utterly unique to a specific place in southwestern Finland, Kiikka, located on the river Kokemäenjoki. 

From the mid-1800s until the mid 1900s, Kiikka was famous for its spinning wheels.  Most Kiikkalainens that we recognize today are painted red and black, decorated with ribbon-candy-like undulating golden lines down the sides and top of the red table

and around the wheel rim.

In contrast, the flyer assembly, collar, hub,

and upright arches

are painted with reddish-brown tiger-like stripes over a cream-colored background, giving a bit of a faux grain effect. 

There must be a fascinating explanation for the origin of the color and design scheme, but, with my non-existent Finnish language skills, I have not been able to discover it yet.

As I mentioned in my previous post, “Impi,” Sauli Rajala started a Facebook group dedicated to Kiikka wheels, called “Rukkitaivas, Spinning Wheel Heaven, Kiikka.”  His group has contributed enormously to our knowledge in this country of Finnish wheels. 

Because these wheels were most often marked with paper labels, most of which have fallen off or been worn away, it has been difficult to trace the makers.  The most common name found on labels seemed to be “Aaro Kaukonen,” who was making wheels well into the mid 1900s. 

Even the wheel rim groove is feather-painted

Aaro Kaukonen’s grandson, Velli-Matti Kaukonen recently wrote a book “Kiikan Kehruurukkitehdas ja Jokisivun Saha,” about Aaro Kaukonen’s “Spinning Machine Factory.”  From two articles posted on Sauli’s site, it is my understanding that Aaro Kaukonen was taught to make wheels by his father-in-law, Kalle Ulven.  Kalle was from the most famous wheel making family in the area. 

Their wheel dynasty started with two brothers, Antti (Ant) Kynnysmaa and his brother, Joseph.  The brothers started making wheels in the 1820s and became more and more well known. 

In 1845, Antii received a certificate as a master wheelmaker and the brothers changed their last name to Ulven (also spelled Ulvein and Ullven) (this is very similar to the story of the Rantila family in the previous post, “Impi”). 

An innovator, when Joseph bought his wheels to market, he designed a trailer for travel, with a small cabin for sleeping.  At the beginning, Joseph’s wheels were unpainted, but he later painted them green (if I am understanding the translation correctly). 

I have not found any information on when the black and red version emerged, however.  Joseph died in 1882, but his sons Semmi, Kalle, and Herman continued as wheel makers. 

A wheel made by Joseph in the early 1880s (upper left), and Kalle Ulven working on wheels (upper right)

Kalle’s daughter (I believe it was this Kalle, but may have been a generation later on), Marta, married Aaro Kaukonen and, through her family’s teaching, Kaukonen became a wheelmaker.  We also see labels for Emil Ulven and Wilho Ulven (Ullven), who may have been the next generation. 

We know that Auro Kaukonen made his wheels in a small “factory” but whether he worked directly with the Ulvens, I do not know.  This 1939 article about the Ulvens and Kaukonen is entitled “The Only Spinning Wheel Factory in the World.”

I am slowly working my way through translating it and suspect that it has the answer to many of my questions.  If anyone reading this blog post speaks Finnish, perhaps they could help with some translation.  

While there was obviously a large output of “factory” wheels, the red and black wheels were not all the same.  There is a huge variety in construction details and paint patterns. 

Even individual wheel makers were not turning out cookie-cutter wheels. 

For example, several wheels labeled “Herman Ulven” have showed up, and each is different.  On the other hand, the flyer assemblies on the red and black Kiikkalainens seem to be quite uniform. 

Perhaps there was some uniformity in flyers so that they could be interchangeable, but individuality in design and decoration. 

My wheel has no label, so I can only guess its age.  It looks older than the shiny wheels from the mid- 1900s and has seen a lot of use, especially showing wear on the treadle. 

I bought it at an auction about an hour from my home on mid-coast Maine.  There is a good-sized Finnish population in the mid-coast, descending from immigrants who settled here from the mid-1800s through the early 1900s. 

Thread, probably linen, wrapped around the maiden to tighten the joint

I like to think that my wheel was brought over by one of those immigrants in the early 1900s.  But that is only speculation.  

It is a wonderful spinner–much like the Quebec wheels made during the same time period—with a large drive wheel designed for speed and efficiency.  The drive wheel is made with six joined pieces, much like Impi’s wheel in the previous post. 

Like many Finnish wheels, the treadle pins are set into the treadle bar rather than going directly into the legs. 

And the spinner-side feet emerge below the treadle bar. 

The double uprights are topped with arches and the axle is held in place with wooden screws. 

There are a few paint drips on my wheel, but those are its only flaw. 

It is lightweight, an excellent fast spinner, and brightens every room it is in.  I have only started to learn about these wheels and will update this post as I learn more. 

The photographs and family history of the Ulvens came from this article: 23.8.1824 “KIIKASSA, KYNNYSMAAN TORPASSA ALKOI RUKKIVARVARIEN AIKAKAUSI,” by Jaana Härmä, about the history of spinning wheel making in Kiikka, which was posted in the Rukkitaivas group on Facebook.

Impi

This beautiful wheel is Finnish.  In fact, even though there is no maker’s mark, I know with certainty who made it.  That is a rarity in the wheel world.  I found it for sale on Cape Cod.  Despite the fact that it had been in the seller’s home all his life, he knew nothing about its history. 

Because the wheel looked Scandinavian, I asked him about his family background.  Sure enough, they are Scandinavian, mostly Norwegian, he thought.  When I got the wheel home, I realized that it was in pristine condition—probably never used for spinning. 

In addition, it looked relatively new compared to my other wheels, most of which were made in the 1800s.  It seemed likely that the wheel was made in the 1900s, which made we wonder if it was Finnish, because Finland, like Quebec, had significant spinning wheel production in the early to mid-1900s. 

Fortunately, there is a Finnish wheel collector on Facebook, Sauli Rajala, with a page called “Rukkitaivas ‘Spinning Wheel Heaven’ Kiikka,” in which he photographs wheels that he collects in and around the Kiikka region of Finland.  As of March 2022, he has rescued more than 1600 wheels.  They are so abundant in his area, which was once a thriving center of wheel making, that they are often given away.  One day I saw a wheel on his page that looked just like mine. 

He knew the area in which he had found it, but no other details.  A few months later, another similar wheel showed up, but no one seemed to know anything definitive about where the wheels were made.  Of course, I may have missed huge chunks of information since I speak no Finnish and Facebook translations range from hilarious to vaguely obscene.  I’ve come to understand some of the wonky translations, such as “Rukki,” the Finnish word for spinning wheel, which translates as “rye” and “lantern” is the translation for flyers. 

Translated posts usually go something like these:  “The roller has to spin an obstacle with a krake and a lantern in the leather earrings,” and “the between the thighs must not be at all tight so that bike is not an obstacle.”  Translations are littered with “bitches,” “wheelbarrows,” and “the Polish side.” Let’s just say that the translation feature is usually more laugh-inducing than illuminating.  So, although I was fairly confident this wheel was Finnish, that was the extent of my knowledge. 

Until recently, when someone posted in the Rukkitaivis Facebook group a wheel similar–but slightly different–than mine, with the information that her aunt said it had come from central Finland.  I posted a photo of my wheel asking if she thought it would have come from the same region.  In response, I was amazed to hear from Marja Tolonen, who said that my wheel had been made by her grandfather, Hannes Rantila, who shipped a batch of wheels to America for sale in 1922. 

Marja’s father, Edvard, grandfather, Hannes, and great-grandfather, Sakari Rantila, all made spinning wheels in Manniskylä, Keuruu.  Sakari started making wheels in 1845.  He could read and write and kept a record of all the wheels and other turnings he sold. 

Sakari’s son, who was Marja’s grandfather, Hannes, continued Sakari’s work.  Hannes had five sons, all of whom made wheels.  Two of them, Nikolai and Gideon, stayed home and worked as carpenters through their lives, including working on renovations of the old church in Keuruu.  I assume it is this church, famous in the area, originally built in the 1750s.

This link has photographs of the incredible painted woodwork inside: Travels in Finland and abroad. Nikolai lived to age 94 and continued in his old age to make small wooden objects.  Marja shared this article with the Rukkitaivas group, from a 1958 Pellervo magazine in Finland. 

The picture in the article shows the Rantilas’ house, where her father was born and the wheels were made.  The man showing the wheel was Nikolai. 

The woman spinning was Gideon’s wife, Auna. Unfortunately, the text is blurry, but Sauli and Marta provided the key information from it. This is a wheel made by Hannes in 1931, which appears to be identical to mine, except for the stain color.

The Rantilas were not the only wheel makers in Keuruu.  Another branch of the family also made wheels.  Nikolai’s grandfather, whom I believe was named Adam (Aatami), had a brother, Samuel Kingelin, who along with his son, Samuel Saukkomäki, also made wheels. The wheels were quite similar, with just slight differences in their decoration.

With all of the hours I spend researching spinning wheels, following fruitless leads and hitting dead ends, it felt slightly surreal to have this rich trove of wheel history fall into my lap as the result of a single facebook query.  And it adds a whole layer of richness to spinning on wheel when you know something of its maker and history.    

While I cannot be absolutely certain that my wheel was part of the 1922 batch that Hannes sent to America, chances are good that it was.  My wheel looks as if it was never touched for spinning, but always used as decoration.  That makes sense, since hardly anyone still spun on wheels in the early 1900s in this country.  It seems more likely that someone would have bought one of Hannes’ shipped wheels once it was here, rather than taking the effort and expense to personally ship the wheel over from Finland.  But, however it arrived, it has been lovingly taken care of since then. 

I would love to know the reason Hannes Rantila marketed these wheels in America in 1922.   Were they a decorative Scandinavian touch for homes at the end of the Arts and Crafts movement?   A taste of a Carl Larsson interior, perhaps?  Because, if ever a wheel elevates traditional craftsmanship to art, this one does. 

It has a graceful, low-to-the-ground stance, with scooped cutouts under both sides of the table.

The far side cutout has the remains of what looks like a paper label.  The stain finish is uneven, so I wonder if the wheels were shipped here unfinished, to be stained or painted as the customer desired.  Turnings, angles, and curves are juxtaposed into a happy web of parts. 

The large treadle has curves and swirls cut into the edges

and is attached with a swooping bar,

both features found in earlier Finnish wheels. 

The turnings on the maidens and spokes are harmonious and eye-catching. 

The spokes are pegged through the drive wheel rim, which has a wide single groove for the drive band. 

The drive wheel is constructed of six joined pieces with radial edges. 

The uprights have deep cuts for the axle,

capped with decorative pegged inserts on both sides. 

Thick guy wires run from table to uprights—again a characteristic of some older Finnish wheels. 

The upright ends are threaded.

One of the most interesting features of this spinning wheel is that it is designed to accommodate two different sized flyer assemblies.  

Some Scandinavian wheels accomplish this by having two-sided leather bearings, which can hold different sized flyers on either side of the maidens.  Others have a spinner-side maiden that slides back and forth on the mother-of-all, so that shorter and longer flyer assemblies can be switched out.  This design is a little different. 

There are two holes on top of each other in the spinner-side leather bearing and two looped bearings on the far side. 

The leathers are sheared flush with the maidens in the back and the double-holed one has two small wooden pegs securing it through the side of the maiden.  

There is an extra hole in the mother-of-all so that the spinner-side maiden can be moved closer to the other maiden. 

That maiden has a small, easily removable peg in the bottom. 

This design allows the spinner to readily change from a large bobbin and flyer assembly to a smaller one.  My wheel came with only one flyer.  It is humongous. 

I cannot imagine spinning flax on it, so I am assuming that the large flyer was intended for wool spinning and a smaller one for flax spinning.  It is also possible that the larger flyer assembly was used for plying.  Whatever the intent, it is a nice, ingenious set-up. 

The crowning touch, of course, is the distaff.  It tops the wheel like a perfect Christmas tree. 

The wheel is just so over-the-top pretty, when I brought it home I was little apprehensive about how it would spin.  I knew nothing about the maker then, so feared it might have been made more for decoration than for spinning.  It only took a few treadles, however, to realize that this wheel was a true Finnish production wheel, designed to spin with ease and speed. 

It is pure pleasure to look at and to use.  Thank you Hannes. 

And great thanks–kiitos–to Marja and Sauli.  I apologize if I muddled any of the details in translation. 

Update, March 23, 2022:

I learned a little more from Marja about the Rantilas.  She told me that Hannes Rantila won a First Prize for his wheels at the 1922 Exhibition in Tampere, Finland.  I found a piece describing the Tampere Exhibition: “Plans had also been made to organise the 12th general agricultural fair in Tampere in 1922. Eventually that fair merged with the third national fair, albeit in a truncated form. The architectural design for the fair was commissioned from architect Alvar Aalto. The fair exhibited mainly products from the wood industry and the home industry as well as the machining industry. The audience could also see competitions related to craftsmanship and exhibitions ranging from carving a shaft of an axe to patching a pair of mittens. The stands of Tampere businesses received much attention.”  (for citation, see below).  After Hannes’ win at Tampere, he received an order from a businessman (arranged through a brother in Kuopio) for 10 spinning wheels to be sent to America.  After sending the first shipment, more were ordered and Hannes eventually sent a total of 25 wheels.  I believe Hannes also sent some wheels to Germany.

Also interesting is the family name.  From what I understand, in the early- and mid-19th century, surnames were fluid, even for an individual, and Finnish families did not have fixed family surnames.  So, each individual in a family might have a different surname—some patronymic, some based on a trade, or place.  When Sakari, Marja’s great-grandfather, started making wheels in 1845, believing a craftsman should have a fixed surname, he chose “Rantila” based on a shortened version of the name of the beach estate where he lived.  It is an unusual surname and his wheel-making son and grandsons all kept it. As a result, these wheels can accurately be referred to as Rantila wheels.

The quote above is from: Hietala, Marjatta; Kaarninen, Mervi, “The foundation of an information city : education and culture in the development of Tampere,” (Tampere University Press, 2005).